Key Words :

Natural forms, Experimental and intuitive,Living transformation

New Materialism, Existentialism, Taoism

My practice investigates the relationship between life, existence, and material through inanimate natural and found objects. I am fascinated by how matter—stones, bones, and organic fragments—can embody transformation and vitality, revealing the hidden life within the non-living. This research is influenced by new materialist thought and philosophies of Martin Heidegger, Jane Bennett, and Zhuang Zhou. Heidegger’s notion of Dasein encourages me to reflect on our being-in-the-world through material presence; Bennett’s concept of vital materiality inspires me to perceive matter as active and animate; while Zhuang Zhou’s Zhuangzi writings resonate with my belief in the fluid, ever-changing nature of existence.

My work also draws inspiration from modern artists such as Henry Moore and Ben Nicholson, whose abstract interpretations of natural forms and spatial relationships deeply inform my exploration of shape, space, and material. Like them, I am drawn to organic structures and the tension between solidity and void, surface and depth.

I work across sculpture, film, and printmaking, allowing materials to evolve through melting, casting, or erosion. My process is intuitive and experimental, embracing transformation and accident as part of the creative language. The combination of print and sculpture creates a dialogue between two and three dimensions, while film introduces movement and temporality, expanding the work into immersive experience.

Through these interconnected media, I aim to reveal the vitality of matter and explore the delicate continuum between life, material, and existence.