LIFE
Inspired by object oriented ontology and biomorphic theory, this series examines the idea that objects possess their own intrinsic existence, independent of human perception. I used wax to recreate the shapes of objects she found, then allowed the wax to melt over time. This process represents the fluidity and transformation of life, mirroring how humans reshape themselves through their experiences and values.
Through this series, I highlights the fragility of life while challenging the anthropocentric notion that humans are the ultimate arbiters of meaning. Instead, I urges viewers to consider the autonomy of objects and the evolving relationship between life and existence.
1280 x 720 p, 3:56 mins
Video, 2025
16 x 18 x 9 cm
Wax Sculpture, 2024
9 x 4.5 x 4 cm
Wax Sculpture, 2024
14 x 11.3 x 5 cm
Wax Sculpture, 2024
6.5 x 2.2 x 2 cm
Wax Sculpture, 2024
TIME
Time is a bronze sculpture cast from melted wax shaped by the impression of a stone found while mudlarking along the Thames. The work captures a fleeting, melting form in a permanent material, reflecting on transformation and the fragility of existence. Inspired by Heidegger’s ideas of Dasein, the piece invites viewers to consider what it means to exist within constant change. The final bronze formed through molding, melting, recasting, and assembling preserves a moment shaped by the river’s remnants and the unpredictability of becoming.
19 x 16 x 11.5 cm, 2.2 kg
Bronze sculpture, 2025
SYMBOL
Symbol explores how found remains spark curiosity about place. Using stones and bones gathered while mudlarking along the Thames, I arranged them intuitively in formations inspired by archaeological sites. These compositions were drawn and etched with aquatint, creating textured backgrounds reminiscent of the shoreline where they emerged. The work invites viewers to imagine the histories carried by these sea‑washed remnants, echoing Carl Jung’s ideas of collective consciousness and our shared impulse to find story and symbolism in what others leave behind.
35 x 25 cm
Hand-colored etching, 2024
38 x 28 cm
Hand-colored etching, 2024
38 x 28 cm
Hand-colored etching, 2024
35 x 25 cm
Hand-colored etching, 2024
38 x 28 cm
Hand-colored etching, 2024
38 x 28 cm
Hand-colored etching, 2024
38 x 28 cm
Hand-colored etching, 2024
38 x 28 cm
Hand-colored etching, 2024
EXISTENCE
The Existence series is inspired by microscopic images I observed. When viewing stones and bones under a microscope, they appeared to resemble cells and elemental forms, the building blocks of life or objects highlighting the essence of existence.
Using white spirit, I drew and created monoprints based on this concept. In the first piece, I drew within the shape of the object, symbolizing how individuals form their own meanings of life or objects. In the second piece, I drew outside the object, emphasizing the role of the environment in shaping our understanding. The third piece focuses on the broader environment and its influence on form and structure.
Through this series, I invite viewers to reflect on the meaning of existence and consider how their values and perspectives are shaped by both their inner world and the external environment.
46 x 52 cm
Mono print, 2024
46 x 52 cm
Mono print, 2024
69.5 x 100 cm
Mono print, 2024
OBJECT
This series, titled Object, began with stones and bones I discovered while mudlarking along the Thames. Their shapes captivated resembling eggs or sea creatures, yet clearly lifeless. I photographed each piece and transferred the images onto plywood, creating what resembles a portrait collection.
At the heart of this work is a fascination with how we define life and assign meaning to the world around us. As observers, we become the ones who judge and ascribe significance to objects, yet these objects exist independently of us. Perhaps it’s time to challenge our perspective and see them differently. Could they possess their own form of life? Maybe existence itself is an expression of being alive.
20 x 20 x 1 cm
Image transfer to plywood, 2024
20 x 20 x 1 cm
Image transfer to plywood, 2024
20 x 20 x 1 cm
Image transfer to plywood, 2024
20 x 20 x 1 cm
Image transfer to plywood, 2024
20 x 20 x 1 cm
Image transfer to plywood, 2024
20 x 20 x 1 cm
Image transfer to plywood, 2024
PRIMO
Inspired by microscopic cells-the fundamental building blocks of life, this series explores the concept of Dasein, as introduced by Martin Heidegger in Being and Time. Reflecting on the continuous evolution of life, I was drawn to the idea of transformation, from the very first cells to the unfolding journey of existence.
To embody this concept, I dissolved the zinc plate into multiple parts, allowing natural selection to guide the process. I introduced various chemicals like rinds varnish, straw hat, limonene, and methylated spirits onto the water’s surface, then lifted the plate to capture the organic, unpredictable patterns that emerged. The interaction of these chemicals created fascinating reactions, forming intricate textures and compositions. I then etched the plate, mirroring the randomness and organic nature of life’s beginnings.
56 x 76 cm
Hand-colored etching, 2025
56 x 76 cm
Hand-colored etching, 2025
56 x 76 cm
Hand-colored etching, 2025
56 x 76 cm
Hand-colored etching, 2025
56 x 76 cm
Hand-colored etching, 2025
56 x 76 cm
Hand-colored etching, 2025
CELL
Inspired by the fundamental elements of life—cells as seen under a microscope, one of the most common ways we visualize life. I explore how our understanding is shaped by the lens of this particular moment in history. Through this work, I question whether science is the only truth and aim to capture a record of our current perspective for future generations.
The shapes in my work are created through chemical reactions on the primo plate, resulting in completely organic forms that resemble cells and bodily structures, suggesting both the presence and shape of life. I hand-color each form, using hues inspired by medical imagery to further evoke the language of science and the body.
56 x 76 cm
Hand-colored etching, 2025
28 x 38 cm
Hand-colored etching, 2025
FORMATION
Formation is a continuation of the Primo series. In this work, I etched the plate into an organic shape inspired by the patterns found in Primo. The resulting form resembles an island or a cell, suggesting that life exists within it and is emerging from it.
47.5 x 55.5 cm
Relief color embossing, 2025
Edition of 4
DECOMPOSITION
Decomposition is a continuation of my previous series, Primo, Formation. In this work, I further etched the plate until it began to fall apart, symbolizing the inevitable changes in life and how different environments shape us. Through this process, the work reflects how these transformations contribute to each individual’s unique existence.
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
ELEMENT
Element is a continuation of my earlier series Primo, Formation, and Decomposition. In this work, I kept etching the plate until it began to break apart into small fragments. These fragments resemble individual cells—the fundamental units of life and also resemble pieces of land, like a map. I arranged these pieces in shifting, random configurations, reflecting the unpredictable nature of life shaped by countless coincidences. Each fragment represents a unique individual, and together, they form a landscape of personal journeys, each person with their own life map.
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
47.5 x 55.5 cm
Relief color embossing, 2025
VE of 4
EXCAVATION
Excavation is a series of prints inspired by the shapes and fragments from my Remains artwork. Using zinc pieces as a starting point, I explored a continuous process of transformation, how these forms shift, overlap, and cut through one another. Through this process, the paper becomes a site of discovery, where surfaces are not merely printed but unearthed, revealing a sense of depth and hidden layers within the material itself.
The marks and voids created by these fragments evoke the act of excavation, unearthing traces of life that once existed. Some imprints rest delicately on the surface, others are embossed into the paper, while some cut right through it. These gestures resemble archaeological findings, where each fragment becomes evidence of what once was, carrying memories and time within its broken form.
In this series, I reflect on how fragments allow us to reconstruct and reinterpret the past — how through collecting, analyzing, and connecting what remains, we begin to understand the world and our own existence. Using laser cutting, I translated the zinc shapes onto Japanese paper, combining chine-collé and embossing to create unexpected textures and voids that echo both the fragility and endurance of life’s traces.
47.5 x 55.5 cm
Relief color embossing, 2025
47.5 x 55.5 cm
Relief color embossing, 2025
47.5 x 55.5 cm
Relief color embossing, 2025
47.5 x 55.5 cm
Relief color embossing, 2025
REMAINS
Remains is the final stage of the Primo series, created from dissolved zinc plates. The fragments formed through organic processes, each taking on a unique shape. They remind me of archaeological remains, objects uncovered from the earth that allow us to trace history and recognize the evidence of life and existence. Through them, we come to understand the world and its continuous transformation.
I preserved these zinc fragments and used their shapes to create new works by laser-cutting them into paper. Some of these paper forms are supported by small legs, allowing them to stand upright, lifting them from the surface to make them more visible and significant. This gesture invites us to focus on what is often overlooked, reminding us of the quiet power of nature and the importance of what lies beneath our feet.
Various size
12 x 8.5 - 4 x 3 cm
Zinc and paper, 2025
HAGSTONE
Hagstone is a series of castings made from a hagstone I discovered while mudlarking. I’m fascinated by the stories and folklore surrounding it, and I’ve explored this by casting it in a variety of materials, including aluminium, pewter, bronze, soil, and plaster. My interest lies in experimenting with different materials and how each one transforms the object.
6 x 4.5 x 3.3 cm
Aluminium casting, 2025
6 x 4.5 x 3.3 cm
Bronze casting, 2025
6 x 4.5 x 3.3 cm
Pewter casting, 2025
6 x 4.5 x 3.3 cm
Aluminium powder and plaster casting, 2025
6 x 4.5 x 3.3 cm
Soil and plaster casting, 2025
6 x 4.5 x 3.3 cm
Plaster casting, 2025
SPACE
Space is a film created using 3D scanning technology to capture part of my bronze sculpture Hagstone. By twisting and rotating the scanned image, I transform the object into a moving digital form. Through this process, I aim to explore the limitations of human knowledge and perception, how an object can possess its own power, movement, and energy that guide us into another dimension of seeing.
I chose to represent the image as a point cloud to highlight how technology continuously reshapes our understanding of the world. The fragmented, ethereal quality of the point cloud evokes both the expansion of human knowledge and the growing mystery of our technological future.
2560 x 1440 p, 7 : 32 mins
video, 2025
TRANSIENCE
Transience is a series of wax sculptures, each with a slightly different form, reflecting the fleeting moments of life and the continuous rhythm of change. The work captures the essence of existence, its unpredictability and transformation.
To create each piece, I poured melted wax into the same silicone mould used in my Hagstone series. Before the wax fully set, I opened the mould and immersed it in cold water to preserve its fluid, unfinished shape. Each sculpture emerges uniquely, shaped by the varying pressure and timing of the mould’s release, a process that remains spontaneous, organic, and guided by chance.
6 x 4.5 x 3.3 cm
Wax sculpture, 2025
6 x 4.5 x 3.3 cm
Wax sculpture, 2025
6 x 4.5 x 3.3 cm
Wax sculpture, 2025
6 x 4.5 x 3.3 cm
Wax sculpture, 2025
6 x 4.5 x 3.3 cm
Wax sculpture, 2025
6 x 4.5 x 3.3 cm
Wax sculpture, 2025