Key Words :

Philosophy, Archaeology, Science

New Materialism, Existentialism, Taoism

I am deeply interested in the relationship between materiality and existence—how matter, beyond serving as the foundation of the physical world, holds within it memory, transformation, and the silent traces of life. My practice draws from natural forms, archaeological remnants, and scientific logic, through which I explore both the essence of human existence and the limits of perception.

I often work with natural materials such as stones, soil, and objects I collect while mudlarking, visiting historical sites, or simply observing daily life. These organic elements—shapes, textures, fragments—carry silent histories that speak to both presence and decay. My work is also influenced by archaeology and science, which I see as contemporary tools for re-understanding the world around us.

I work across various media, including printmaking, casting, and film. My approach is intuitive and experimental, often embracing abstraction, texture, and the play of chance. I’m drawn to movements such as Dadaism and Expressionism, and to artists like Jean Arp, Edvard Munch, and Henry Moore, whose works evoke emotional depth and the poetry of organic form.

Conceptually, I engage with philosophical ideas such as Martin Heidegger’s ‘Dasein’, Taoism, the way of understood the universe. reflecting on what it means to be present—physically, emotionally, and existentially—in a changing world. How to live in a state of harmony with the universe and energy found it. Through my practice, I aim to disrupt established narratives and invite viewers to re-attune themselves to the overlooked: to the land, the materials beneath their feet, and the fragile, evolving nature of life itself.