Key Words :

Natural forms, Experimental and intuitive,Living transformation

New Materialism, Existentialism, Taoism

My artistic practice explores the relationship between life and existence through inanimate natural objects. I am fascinated by how material things—stones, bones, shells, or eroded fragments—carry traces of time and transformation, revealing the silent vitality within matter itself. By recontextualizing these found and natural forms, I aim to question the boundary between object and subject, inviting a new perspective shaped by the ideas of new materialism.

Working across sculpture, film, and printmaking, I approach each medium as a way of exploring transformation and evolution. My process is intuitive and experimental; I allow the materials to guide their own form, embracing accidents, erosion, and change as part of the creative journey. I am deeply inspired by the interaction of space, shape, and material, and how they can express both permanence and impermanence.

By combining print with sculpture, I create works that extend beyond the flat surface into three-dimensional space, revealing the tactile presence of form. Film adds a temporal dimension—movement, rhythm, and atmosphere—allowing the work to unfold through time and evoke a sense of living transformation.

Ultimately, my practice is an ongoing dialogue with nature. Through material processes and evolving forms, I seek to capture the subtle transitions that connect all beings and substances—revealing how even in stillness, there is life, and within inanimate matter, a quiet pulse of existence.