At my degree show, I presented three different types of work — prints, sculptures, and film. Throughout my course, I gradually discovered my core interest in new materialism, focusing on the materiality, texture, and form of objects. I explored these ideas through various techniques and media to create diverse textures, shapes, and dimensions, which led me to develop works across printmaking, sculpture, and moving image.

I often create works in series because I am fascinated by the movement and vitality of materials, inspired by Jane Bennett’s theory of vital materiality and the ever-changing essence of life.

My recent print series, Flow, reflects the constant transformation and unpredictability of existence. It embraces intuition and chance, expressing the idea that life — much like a dance — should not be taken too seriously. We simply move with the flow, embrace accidents, and find joy in transformation.

The Hagstone sculptures explore material contrasts, while the Transience series reveals variations in form, capturing fleeting moments and change. I also presented the Remains series, which reimagines fragments from my printmaking process, lifting them from the surface to give them new presence and significance.

Finally, my film Space invites the audience into an immersive, sensory experience through the use of digital technology — expanding perception, imagination, and participation.